Love Liza (2002) Philip Seymour Hoffman spends nearly the entire film not reading his wife's suicide note, instead letting his life fall completely apart as he tries to blot out the pain. He's brutally excellent, as he always is, but the film is so oppressively morose and unpleasant that after awhile I was considering getting into huffing myself, just to escape. Solidly directed by Todd Louiso (of "Phenom" and, oh yeah, High Fidelity), Love Liza stays true to its subject, but in the process, alienates everyone else. There were some attempts at comic relief that were enormously sour, and Kathy Bates's entire involvement seems to have been shot in a day and cropped into the film for some kind of marquee value. I content myself with the somewhat amusing idea that someone made the mistake of taking a first date to see this movie in the theatre.
Review by Jessica Stripps |