Malibu's Most Wanted (2003)
Directed by John Whitesell
Written by Fax Bahr, Adam Small, Jamie Kennedy, & Nick Swardson

Jamie Kennedy brings his quite modest level of talent to what has become in recent a much-traveled stock comedy character: the white boy who is "down" with hip-hop to the point of considering himself black. This is, of course, merely the latest iteration of blackface, but it's infused with the self-ridiculing sarcasm of Steve Martin in The Jerk or, perhaps more accurately, Eugene Levy in Bringing Down the House.

That Malibu's Most Wanted makes The Jerk seem like comic gold is not surprising. There isn't much in here that you won't see coming a thousand miles away, and in fact, I only sat through the whole thing because I was waiting for a scene parodying 8 Mile that never came (I realized later that I was thinking of a scene from Scary Movie 3, which underscores the interchangeability of most lowbrow comedies these days).

I do, however, have to give the movie some props for inverting the white-black dichotomy so thoroughly that everyone ends up accepting Jamie Kennedy as an honorary Negro, and not just that, but as the most authentically "black" character in the cast. That's some audacious shit, and it's helped out a lot by Anthony Anderson and Taye Diggs as a couple of trained actors who are hired to act like stereotypical black gangstas, but who are actually so "white" in orientation that they have to study for the job.

It's amusing, forgettable, and more sweet than offensive. Kennedy's "B-boy" schtick flags quickly, though I did quite enjoy the climax, which features him getting shot in the ass with a harpoon.

Review by Hanson Brandybuck