Now, even the shallow approach to this record is enjoyable, if meaningless. Classic Albums takes us song by song through the album, with misty-eyed, self-congratulatory comments from those who were there (although John Deacon is notably absent). Everyone agrees that the record was "seminal," groundbreaking, innovative, etcetera, etcetera. It's overly reverent, but that's the way it goes when people start dissecting widely beloved albums. The only real revelation is when Brian May goes back to the master tapes and showcases the Dixieland "band" pseudo-horn guitar parts of "Good Company." But otherwise Classic Albums doesn't pull back the curtain at all it might as well be a very tasteful video installation in the "Queen Museum."
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