Audition (1999)
aka Ôdishon
Directed by Takashi Miike
Written by Daisuke Tengan

Takashi Miike is correctly regarded as a visionary and cutting-edge filmmaker. As with Jean-Loc Godard, though, being a genius does not necessarily mean his movies are at all entertaining. Certainly Miike's made some great stuff (Ichi the Killer, for example), but too often his subversive need to challenge cinematic clichés causes his films to be just damn unpleasant. One might argue that films are not obliged to be easy on the audience. Fair enough, but "challenging" does not equal "great" simply by default. Sometimes "challenging" just equals "tedious."

Audition is seen by some as a great example of "extreme" cinema, but I found it to be almost entirely boring, and even when it finally starts to pay off, kinda "been-there-done-that."

The premise is a good one. Ryo (Shigeharu Aoyama) is a businessman who, egged on by his TV-producer friend, decides to "audition" for a new wife by staging a faux-casting call for a non-existent reality show. He ends up casting Eihi (Asami Yamazaki), a shy and downbeat woman with a mysterious past. Of course, she ends up being a total psycho, and as you'd expect, a bloodbath ensues.

Unfortunately, it takes seemingly hours to get to that twist, by which time you've sat there watching a completely banal romance movie. Now, I admire that Miike would bother to bolster his red herring to the extent that his gruesome horror flick, for almost its entirety, seems like a Lifetime movie, but the shaggy dog in this case is so shaggy that when the twist finally transpired, I didn't care in the least.

There's a fine line between underground subversion and flat-out lameness. Audition may be artful, but as with too much art (especially cinema), I just didn't give a shit. Here I am now, entertain me, you know?

Review by Ninteman Chris